A necessarily selective glance at queerness in Polish film from the interwar period to the 2020s reveals, unsurprisingly, increased explicitness in the depiction of onscreen queer personae during the last quarter-century after their virtual absence during the crime-ridden, macho 1990s. Examining crossdressing, homosexuality, lesbianism, bisexuality, and transgender experiences, this overly compact survey focuses on the 21st century as it tracks the departure from the tired and tiresome identification of homosexuality with effeminacy, the comparative scarcity of films about lesbians, and the refreshing diversity in recent portrayals of queerness.